About Artist

Artist Statement


Pat Gericke is an oil painter exploring simplicity, color, and light through still life portraits 

of vegetables, flowers and food. She paints to remove herself from the chaos of city life 

and experience the under-appreciated visual drama found waiting at home—the color and 

light of scattered vegetables on a kitchen table or the textures in a slice of cake sitting in 

its old-fashioned bakery box. While her subject matter may appear to be simple depictions 

of everyday objects, she is really creating paintings about stillness and the importance of 

appreciating the quiet richness and depth that surrounds us.

She developed her deep awareness and sensitivity to color and light over the course of her 

thirty years as an interior designer. Trained in the 1980's when minimalism reigned supreme,

Pat embraced the principles of creating an elegant simplicity, but opted for using the 

warmth and humanity of rich color, light, and texture instead. When she began painting in 

oils, her still life compositions immediately became a means to continue that exploration 

through the close observation of simple natural forms and overlooked household objects.

Her satisfaction as a painter comes through revealing the nuances found in these small, 

natural forms--the crispy translucence of a purply-red onion skin juxtaposed against the 

pale, cool lavenders and grays of a green cabbage, or in the way wrinkles in a plastic baggie

reflect the overhead light and change the color and shape of the doughnut inside. As Pat 

begins to expand her subject matter to include landscapes and portraits of people, her 

priorities remain the same—slowing down long enough to appreciate and capture the unique

color, light and texture in an individual form or in the wide expanse of an open space.

Painting is a meditative experience for Pat and she feels that her process informs the 

stillness in the finished work. She always starts each painting with a drawing to determine 

her composition and then searches for the lights and darks. Once she identifies the shapes 

of the shadows, she begins to paint in the underlying colors that live in the lightest areas of

the painting. From there on it's an exercise in discovery as she slows down to immerse 

herself in the seeing process. In her pursuit of a more contemplative pace, Pat has also 

begun using a palette knife because of the textures that can be achieved as well as how the

tool forces her to slow down even further as she wrestles the knife for control of the 

painting. Pat has experimented with acrylics and watercolor, but prefers oils because no 

other medium allows her to reveal the underlying color and glistening quality immanent in 

the subjects she's trying to capture.


Pat Gericke studied painting under Sam Adoquei at the National Academy School of Fine Art as well as the Union Square Atelier in new York City. She also attended workshops lead by James Weiss at The Lyme Academy of Fine Art, Old Lyme. Ct. Working as an interior designer has greatly influenced how she views the world as a painter. She works and resides in New York City.